Have you heard of Blists Hill town? Well, you have to have a
good map, because it is not a real town. It is Victorian town borrowed from the
past and presented to us now. To enjoy and learn. Blists Hill is a museum set
in over 50 acres of land where iron was once smelted, coal and clay were mined
and where bricks and roofing tiles were made. The remains of those industries
can still be found on site, but in the same landscape a small industrial town
has been created.
Much pleasure can be had by wandering around the site,
looking in the buildings, listening to the customed demonstrators and getting
involved with the various activities. Like any town anywhere in the UK Blists
Hill would have been shaped by its geography, how it communicated with its
neighbours and the rest of the country and most importantly, what type of work
was available for its residents.
It is an old market town with handsome buildings. There is
no monumental town hall; no real town centre. There is only one really old
building, a timber-framed structure now used as an estate office for the Earl
of Craven. The main town is comparatively new; grown up, ad hoc, from the end
of the 18th century around a few coal and clay pits and a canal. Most of the
three or four thousand residents earn their living through hard, manual work,
in the mines or local brick and tile works, in the foundry or at the ironworks.
Some of the lucky ones work in the small shops in the town. Blists Hill is a working
class town where everyone has to work physically hard for almost all their
adult lives.
And when you visit Blists Hill, you will notice that
everyone is at work. No time for idling during the day or during the night; the
men are involved with continuous industrial processes that take no account of
the human body clock. Men, women and many children work long hours. They have
to because there is always the fear of being laid off if business is slack or
of becoming unable to work through injury. Only the very largest firms provide
medical treatment for accidents at work. There is no national health service
and no state unemployment benefit; no worker's unions to support working
people.
Traditionally, mining and the iron trades have employed the
most people who lived in the townof Blists Hill. Close to the canal that runs
through the settlement there is a small mine that has been working since the
1770s. Over the years it has brought up coal, ironstone and clay, but it now
supplies mainly clay to one of the nearby brick and tile works.
Ironstone is a reminder of the importance of the iron trades
to this part of the country - Shropshire has gained a national reputation for
its iron work. The three Blists Hill blast furnaces were 'blown out' recently
and a local fortune teller predicts they will not work again after 1912. We
will have to wait and see! Opposite those blast furnaces, G. R. Morton's
ironworks is still in the business making wrought iron.
Next to the Morton's is a small blacksmith's shop that uses
wrought iron as its raw material. Every town needs a blacksmith, but Blists
Hill also has an important foundry that concentrates on making cast iron, and
that's why there is also Corbett's Foundry, where liquid iron is poured into
the sand moulds to make various objects used in industry and households.
Better jobs in the clay industry can be had almost within
sight of Blists Hill, just south of the river, with the firms of Craven Dunhill
and Maw & Co. Who produce decorative floor and wall tiles for buildings all
over the world. These firms, as well as the nearby Coalport China Works, employ
a lot of skilled labour including young women. This makes a welcome alternative
for girls who might otherwise have to go into service in the neighbouring large
houses before marriage, or work long hours in some of the larger local shops,
such as McClures Drapers and Outfitters shop, Annie Pritchard's confectionery
shop, A. F. Blakemore & Son's grocer shop in the High Street or, even, a
candle shop.
One may ask yourself how Blists Hill, with all this works
and shops, is not a real town? Well, it is a re-built one. The creation of
Blists Hill Victorian Town started back in 1967. At the same time, Britain was
changing rapidly. Old buildings all over the country were being knocked down,
tower blocks were going up, and heavy industry was in decline. Traditional
crafts were disappearing and there was a real sense that the country was losing
its industrial heritage. In the same time a new town - Telford - was being laid
out on the exhausted industrial landscape of the East Shropshire Coalfield, and
the Ironbridge Gorge Museum Trust was created. Its aim was to preserve
artefacts and significant industrial sites in what is now the Ironbridge World
Heritage Site. Social history objects, Coalport China, decorative tiles and
many more historic items were collected for display in a number of planned new
museums. But something more than a museum was the intention for Blists Hill
where a derelict of 50 acres site had been acquired.
Bit by bit a historic artefacts, pieces of Victorian life, were
collecting to make a new open-air museum
an extraordinary place to be. Buildings due for demolition were rescued and
reconstructed on site by museum craftsmen. Probably the best examples of their brick
by brick work are the Candle Factory and Stirchley school. One of the most
challenging projects was the dismantling and re-erection of a local
timber-framed building that now houses the Estate Office.
If the whole buildings could not be saved, original fittings
such as windows, doors and complete interiors were collected and incorporated
into new structures; the New Inn, the Chemist's Shop/Farmacy and the
Locksmith's are all examples of this approach. In the case of Lloyd's Bank, a
faithful replica of the existing bank at Broseley was created. Some of the
newest additions to the site are six new 'old' buildings, new visitor centre,
mine railway and experience and inclined lift were completed in 2009.
The experience of Blists Hill Victorian town is something
that is unique. Every single detail is carefully brought in life and the great
care was taken to make the whole street look as thought it was a snap-shot from
the past brought back to life. As many old fittings as possible were used from
the Museum's collections and paint colours were chosen from a 1901 trade
catalogue that actually included a colour chart that was in colour!
The museum staff is put into Victorian costume, carefully
replicated from the original patterns. From them you may learn a lot about
Victorian life and specific trade. The chemist shop assistant will tell you all
you want to know about old cures and how Victorians used to make tablets; a
photographer will make a lovely 'old style' photo of you dressed in period
costume; you can buy fresh rock cake in bakery or even have a short lesson in
the school.
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